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Muriel Carrick Moody : ウィキペディア英語版 | Muriel Carrick Moody
Muriel Carrick Moody (18 March 1907–24 December 1991) was a New Zealand commercial artist, advertising manager, welfare worker, sculptor and potter. ==Background== She was born in Whangarei, Northland, New Zealand on 18 March 1907. Muriel Carrick Moody was the second of six children. Her parents were John Munro Wilson and Mildred Carrick Proude. Her mother was known to be a talented pianist and loved to sketch. Her mother encouraged her daughters to expand upon their talents that they were given. Her mother died in the year of 1936. Moody showed signs of talent with drawing from a young age. Moody had her schooling at Palmerston North Girls' High School in the location of Palmerston North in North Island, New Zealand. She was recorded to study art under the influence of Harry Linley Richardson. While studying with Dorothy Turner, Muriel Carrick Moody gained the skill of etching. In the year of 1941, she joined the British YWCA War Service.In the 1950s she attended ceramics classes at the Petone technical collage with Wilf Wright, June Y. Black, Mary Hardwick- Smith, Lee Thomson, Roy Cowan and Juliet Peter. In the 1980s, Moody was primarily recognized for her work with ceramic sculptures and some bronze cast. Moody had described that her influence was mainly from Picasso. Muriel Carrick Moody died on the date of 24 December 1991 at Lower Hutt Hospital. Her works of art are being held in various private collections in New Zealand, Britain, Switzerland and the United States. The works are also being held in several local galleries and institutions. Muriel Moody, explored ceramics as an alternate way to produce sculpture opposed to metals casting which was a challenging medium considering the available resources at the time. “She and June Black were the only two ceramicists in Wellington who were working consistently in sculpture during the early years of pottery, and most techniques, particularly with larger pieces, she had had to invent for herself. She builds her figures round a series of steel rods or armatures which are removed when the clay is able to stand up by itself”
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